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2007 European Tour
On Monday, October 29, 2007, the Los Angeles Philharmonic embarked on an 18-day concert tour of England, France, Spain and Portugal. Check back here to see what the musicians are up to, as we post their tour journals and photos.
Golden Era of the Los Angeles Philharmonic
| Posted by Mick Wetzel in Paris
Cocktail of Disorientation
| Posted by David Allen Moore in Paris
November 1
| Posted by Gloria Lum in London
The Theremin
| Posted by Joanne Pearce Martin in London
October 31
| Posted by Mick Wetzel in Los Angeles
Moving an Orchestra Across the Ocean and Back
| Posted by Mick Wetzel in Los Angeles
2007 European Tour Begins
| Posted by Mick Wetzel in Los Angeles
Managing Family and Tour
| Posted by Cathy Karoly in Los Angeles
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Stacy and I had the honor of sharing dinner with Philharmonic Board members Ann and Tony Cannon and Philharmonic Director of Public Relations Adam Crane. It was after our concert in Paris at Salle Pleyel (November 6), which made it a late-night meal but?is it possible to find a bad dinner in Paris? Mais oui, but there are so many wonderful choices that make this a difficult venture.
I rmbemeer reeicinvg an eaiml ocne taht siad taht the bairn olny nedeed the frist and lsat lteetr of a wrod to be in the crorcet pstoiion in oderr for a wrod to be cmpoheerisnlbe. The early part of the tour experience is a lot like that for me. The length of travel, lack of sleep, lure of the pub, and general excitement of performing on tour all combine to form a cocktail of disorientation. Familiar elements are present that help to ground me: my wife, daughter, and mother joined me on this trip, but I still feel like it takes me a while to get my bearings.
Upon arrival at our hotel after an overnight flight from LAX, everyone's concern is the same: clean up, eat, and stay up as late as possible. The first night of sleep is never a problem. It is the first full day and second night that will dictate how quickly we can adapt to the new time zone. So, on the first morning in London, the first order of business is finding coffee. Starbuck's has invaded every street corner here. But preferring to sample local fare, a couple of colleagues and I opt for Valentino's, a small café which promises a full English breakfast for 3.90 pounds ($8.00). The coffee is excellent and we end up lingering for over an hour deep in conversation.
Fresh off the bus from Heathrow, and after a quick splash of water on our faces at the hotel (our suitcases hadn't been delivered yet!), a small group of us met back in the lobby to start our adventure. The brave ones: violinists Martin Chalifour, Mitch Newman, Ingrid Chun, and Lawrence Gamma, cellist Danny Rothmuller, and myself. Never mind that we were all starving; the first objective was to get ourselves to North London as quickly and economically as possible. (This is London, after all, where a single ride on the Tube is four POUNDS!) Once we were in the vicinity of the jazz club, then we could quickly grab something to eat, we hoped.
On Monday at 7pm sharp we left Disney Hall for LAX by bus. After what seemed like a very long 9 ? hours, we arrived at London Heathrow to a beautiful, sunny afternoon. We arrived at our hotel very tired and hungry. London has a plethora of wonderful restaurants so the choices for dinner were nearly overwhelming. My wife and I chose a fish and chips place, The Fryer's Delight. Others chose more exotic fare for dinner. But the most interesting entertainment choice of the evening was made by a group of musicians, lead by our keyboardist, Joanne Pearce Martin, who attended a musical event not to be found anywhere else on the planet.
It takes efforts on many fronts to project our musical pursuits to a European audience. As musicians, we work very hard to bring our "product" up to the highest standards but without our Production Director, Paul Geller, and his crew of Stage Technicians, Cesar Melgar, Alex Quintanar, and Michael Sheppard, our musical pursuits would quite literally never fly. These are the people who do the thankless, behind the scenes work that we all appreciate so much. They make us musicians feel almost as if we were at home no matter where we are, so that we can perform at our best. It is staggering to me what they move:
Jonathan and I thought for many months about how we would manage our family and this tour. We both play in the orchestra, AND we have a two-year-old daughter named Hannah and 10-month-old boy/girl twins named Ian and Eva.