Growing up in central Oklahoma, there was a weather pattern we were used to in the same way residents of Southern California are used to the Santa Ana winds: springtime thunderstorms. As I understand it, they are the result of warm, moist air from the Gulf of Mexico colliding with cold, dry air from up in Canada and the northern plains. If conditions were just right and you were in just the right place, you could experience the sudden change from warm to cold and feel Mother Nature at work.
I always enjoyed this rare treat, as the atmosphere was inevitably very calm and still, but in the distance you could see the clouds heading your way. As they grew closer, the energy of the storm began to fill the air with tension and excitement and there was a sense of nature charging itself up. Once the storm arrived, the cleansing rush of water was only interrupted by the thrilling flashes of lightning and percussive claps of thunder. Seen from a certain perspective, these storms were an exciting and beautiful display of nature.
With the first weekend of The Mahler Project successfully under our belts and behind us, you probably think we're ready for a well-deserved break, right?
Not on your life.
As followers of the festival know, The Mahler Project is just getting started. In fact, after an amazing opening weekend featuring Mahler 4, "Songs of a Wayfarer" and a stirring Thomas Hampson rendition of Mahler's Rheinlegendchen for an encore on Sunday night, this week is even more jam-packed with Mahler-related goodness.