Contrary to popular belief, the music of Mahler isn't all sunshine and light...
What makes the symphony-ending hammer blows in Mahler 6 happen here at the LA Phil
We're being facetious, of course, as Mahler's symphonies are famously dense and more than a little somber throughout - LA Phil Music Director Gustavo Dudamel noted in his post-concert talk after a performance of Mahler 1 that "no one loved to suffer more than Mahler." And, if there's a symphony that proves this fact, it's Mahler 6. After all, a symphony doesn't get to be known popularly as "The Tragic (der Tragische) without earning a reputation for being on the dark side - it ends with three crushing hammer blows - but, true to form, Mahler composed the work at a relatively happy time in his life.
Here are a couple of facts about Mahler 6 that you might not know:
If you thought last week at Walt Disney Concert Hall had a whole lot of Mahler, then get ready - this week will really knock you out. Gustavo and the LA Phil have progressed at a brisk but reasonable pace since launching The Mahler Project on JAN 13, but now that the Simón Bolívar Symphony Orchestra of Venezuela has arrived and played not only THEIR first Mahler symphony with Gustavo but also the first of two performances of "Mahler's World" -- well, the only word we can think of to describe this week is "breakneck."
Here's what's happening in The Mahler Project this week: