LA Phil Blog

2013 Tour

...And Now It's Over

LA Phil Music Director Gustavo Dudamel stands in front of the LA Phil's truck outside New York's Lincoln Center following the last performance of the LA Phil's 2013 Tour.

The stage platforms are struck, the instrument cases are packed and the big LA Phil truck is rolling back to Los Angeles.

Another tour is in the books and we think it's fair to say that this one has been successful. From London to Lucerne to Paris to New York, critics raved, audiences cheered and we at the LA Phil were once again reminded why we do what we do.

Led by our Music Director, we took a typically audacious set of programs on the road. We played programs that said, "This is who we are and this is what we think is important." And we brought the audiences along with us - audiences that may have been skeptical were won over, note by note, until they were standing at the end of the concerts. And, sometimes, even cheering DURING the concerts.

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Straight to the Top

LA Phil Music Director Gustavo Dudamel flashes a quick smile as the doors close on the famed elevator to the stage at Lincoln Center's Avery Fisher Hall before Thursday's final performance of the 2013 Tour.

The reviews are coming in, and it's official - New York loves the LA Phil and Gustavo Dudamel. Enough, anyway, to break into spontaneous applause at unforeseen times during Thursday's performance of Stravinsky's The Firebird.

And why shouldn't the audience applaud when they might usually not? After all, New York Times writer Anthony Tomassini, in a combined review of the orchestra's two concerts at Avery Fisher Hall, writes:

It is exciting to hear this charismatic conductor taking risks and following a vision. Now in his fourth season as music director of the Los Angeles Philharmonic, he has galvanized the city and become for all conductors a model of community outreach and education. Not bad.

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Goodbye, Lincoln Center

Here's the view as we're leaving Lincoln Center after our final concert of the 2013 Tour!

Congratulations to our amazing musicians and our beloved Music Director, Gustavo Dudamel. Very enthusiastic audience and critical acclaim in London, Lucerne, Paris, and New York. We can all be so proud of the LA Phil!

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The LA Phil Takes Manhattan

You might have heard that the LA Phil played a concert in New York last night. Apparently, it went pretty well.

Thanks, everyone!

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New York, New York

LA Phil bassists David Allen Moore, Peter Rofé, Christopher Hanulik and Oscar M. Meza pose with John Adams and Gustavo after the final rehearsal of The Gospel According to the Other Mary on the 2013 Tour.

Back on familiar shores and mere hours away from the East Coast premiere of John Adams' The Gospel According to the Other Mary, the LA Phil's 2013 Tour is winding down. Sure, there's tonight's performance - not to mention tomorrow's - but the tour has entered its endgame.

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Memories, Big and Small

The sound of packed houses in London, Lucerne, and Paris clapping relentlessly in rhythm this past week will surely resound in our ears for a long time to come. What a joy it has been to present these 2 very different programs to our European audiences, and have them received with so much palpable excitement and appreciation!

Sometimes in one's travels on tour, however, it's also the everyday experiences that can be just as memorable. I'll share just a couple of my favorite off-stage moments from the European leg of this tour:

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Did You Bring Running Shoes?

LA Phil trumpet player Christopher Still takes a break in front of Paris' Le Pure Café during one of his patented city-discovering runs.

Planning to live out of a suitcase for a three-week European tour isn’t easy, and there are a few items that I can’t live without in my garment bag––a sport coat, comfortable jeans, and a pair of warm leather gloves. But the most critical item for me is a dependable pair of running shoes.

Considering the type of haute cuisine available in a city like Paris, you would think that my main motivation for jogging is to justify the butter, Bordeaux and Foie gras. While that’s partially true, my main interest is to get out and explore the city up close and in detail –– something you just can’t do from the back seat of a cab or tour bus.

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American in Paris

Countertenor Brian Cummings (third from right) and the rest of the cast of The Gospel According to the Other Mary, along with Gustavo Dudamel, director Peter Sellars and composer John Adams, take their bows in Paris after the piece's premiere in the City of Lights.

My love affair with the city of Paris began in 2001 when I participated in the world premiere of John Adams' oratorio El Niño. Barely 21 years old, I was astounded by the beauty of the city and the richness of French culture.

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March Madness

LA Phil crew member Jesse Kolouch twiddles the knobs on the Salle Pleyel soundboard before the orchestra's performance of The Gospel According to the Other Mary in Paris.

March 14 to March 28. Fourteen days. Two weeks.

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Pourqoui pas Paris?

Barry Gold, LA Phil cellist, stands in front of the Arc de Triomphe in a city he knows well thanks in part to his tenure with the orchestra.

An American in Paris is, of course, an iconic and oh-so-familiar composition by Gershwin. But this magnificent city of lights and romance is currently being seduced by the magnificent musicians of the Los Angeles Philharmonic and the LA Master Chorale in what surely will be a overpowering performance of John Adams' new masterpiece: The Gospel According to the Other Mary.

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