LA Phil Music Director Gustavo Dudamel stands in front of the LA Phil's truck outside New York's Lincoln Center following the last performance of the LA Phil's 2013 Tour.
The stage platforms are struck, the instrument cases are packed and the big LA Phil truck is rolling back to Los Angeles.
Another tour is in the books and we think it's fair to say that this one has been successful. From London to Lucerne to Paris to New York, critics raved, audiences cheered and we at the LA Phil were once again reminded why we do what we do.
Led by our Music Director, we took a typically audacious set of programs on the road. We played programs that said, "This is who we are and this is what we think is important." And we brought the audiences along with us - audiences that may have been skeptical were won over, note by note, until they were standing at the end of the concerts. And, sometimes, even cheering DURING the concerts.
A typical LA Phil tour has a lot of components. Not only does the orchestra play concerts in varied cities in equally varied destinations, but there's also - as befits an orchestra with a Music Director like ours - often an educational component to the proceedings. In 2011, members of the LA Phil stopped by the Barbican Centre to lead a master class or two; in 2012, the entire orchestra traveled to Caracas to see Gustavo's El Sistema in action; and now, in 2013, the orchestra is evolving yet again as members of our very own Youth Orchestra Los Angeles (YOLA) travel to London to participate in the LA Phil co-hosted (along with the Barbican Centre and Take A Stand) Future Play Symposium.
Audiences in Europe and New York aren't the only ones excited for the LA Phil's 2013 Tour - Music Director Gustavo Dudamel is eager to hit the road with an especially "LA Phil-esque" repertoire of some 20th century favorites as well as some newerworks. We'll let him tell the rest of the story:
Despite what you might think, it’s not that easy to pack up a 105-member orchestra, complete with instruments and wardrobe, and move them approximately 12,500 miles in three weeks time.
It's especially tricky when you consider the fact that the orchestra is taking a staged production – John Adams’ The Gospel According to the Other Mary – to four cities on two continents, in addition to its more expected orchestral fare such as Stravinsky’s Firebird and Debussy’s La mer.
It’s the time of year when cellos, basses and percussion are packed into road cases, when instrument cases are lovingly carried onto airplanes, when the orchestra staff scrambles to make arrangements and the LA Phil heads out on the road to take its unique brand of innovative, daring and classic programming to audiences worldwide.