With a moment or two to breathe before the whirlwind that will be the Venezuela leg of The Mahler Project begins, it seems like a good time to look back on the project's course here in LA. And who better to do it than the cheeky West Coast Sound blogger for the LA Weekly?
With a title like "Mahlerpalooza: Gustavo Dudamel Makes L.A. the Mahler Capital of North America," It sounds to us like the LA Weekly approves of a town like Los Angeles being overtaken by Mahler Madness. Here's our favorite part of their assessment:
The Dude relished the madness and grotesquery of Mahler's scores, highlighting their bipolarity by playing the more emotionally stable sections straightforwardly, which made the crazy passages all the more terrifying. While Dudamel delighted in bringing out the musical patchwork quilt aspects of Mahler, he also had a strong sense of long-range goals, which made the climaxes memorable. In Mahler's slow movements, Dudamel's flexibility was generous.
You can read Christian Hertzog's postmortem of the LA leg of The Mahler Project here.