| LA Phil

CHROMATICS are the reflection on the dark side of the street. With Night Drive, they were barely there but they seemed to weigh a ton. Beautiful vocals giving life to city phrases, rhythms that keep everyone moving but not quickly enough to miss the crash. There are times when you can’t listen anymore to them because it hurts too much, and then you press play again. There’s an intimate distance to their music, with just enough separation that you don’t really know what’s going on.

...And Now It's Over

April 1, 2013 | Posted by LA Phil Staff in New York

LA Phil Music Director Gustavo Dudamel stands in front of the LA Phil's truck outside New York's Lincoln Center following the last performance of the LA Phil's 2013 Tour.

The stage platforms are struck, the instrument cases are packed and the big LA Phil truck is rolling back to Los Angeles.

Another tour is in the books and we think it's fair to say that this one has been successful. From London to Lucerne to Paris to New York, critics raved, audiences cheered and we at the LA Phil were once again reminded why we do what we do.

Led by our Music Director, we took a typically audacious set of programs on the road. We played programs that said, "This is who we are and this is what we think is important." And we brought the audiences along with us - audiences that may have been skeptical were won over, note by note, until they were standing at the end of the concerts. And, sometimes, even cheering DURING the concerts.

Straight to the Top

March 29, 2013 | Posted by LA Phil Staff in New York

LA Phil Music Director Gustavo Dudamel flashes a quick smile as the doors close on the famed elevator to the stage at Lincoln Center's Avery Fisher Hall before Thursday's final performance of the 2013 Tour.

The reviews are coming in, and it's official - New York loves the LA Phil and Gustavo Dudamel. Enough, anyway, to break into spontaneous applause at unforeseen times during Thursday's performance of Stravinsky's The Firebird.

And why shouldn't the audience applaud when they might usually not? After all, New York Times writer Anthony Tomassini, in a combined review of the orchestra's two concerts at Avery Fisher Hall, writes:

It is exciting to hear this charismatic conductor taking risks and following a vision. Now in his fourth season as music director of the Los Angeles Philharmonic, he has galvanized the city and become for all conductors a model of community outreach and education. Not bad.

The Tour According to the Other Mary

March 29, 2013 | Posted by Kelly O'Connor, Mary in "The Gospel According to the Other Mary" in New York

Kelley O'Connor, AKA Mary in John Adams' The Gospel According to the Other Mary, is shown here during the dress rehearsal at Walt Disney Concert Hall with dancer Troy Ogilvie.

The end is finally here. New York. Our final show.

Goodbye, Lincoln Center

March 28, 2013 | Posted by David Bohnett, LA Phil Chairman in New York

Here's the view as we're leaving Lincoln Center after our final concert of the 2013 Tour!

Congratulations to our amazing musicians and our beloved Music Director, Gustavo Dudamel. Very enthusiastic audience and critical acclaim in London, Lucerne, Paris, and New York. We can all be so proud of the LA Phil!

The LA Phil Takes Manhattan

March 28, 2013 | Posted by LA Phil Staff in New York

You might have heard that the LA Phil played a concert in New York last night. Apparently, it went pretty well.

Thanks, everyone!

New York, New York

March 27, 2013 | Posted by LA Phil Staff in New York

LA Phil bassists David Allen Moore, Peter Rofé, Christopher Hanulik and Oscar M. Meza pose with John Adams and Gustavo after the final rehearsal of The Gospel According to the Other Mary on the 2013 Tour.

Back on familiar shores and mere hours away from the East Coast premiere of John Adams' The Gospel According to the Other Mary, the LA Phil's 2013 Tour is winding down. Sure, there's tonight's performance - not to mention tomorrow's - but the tour has entered its endgame.

Au Revoir, Auf Wiedersehen and Goodbye, Europe

March 25, 2013 | Posted by LA Phil Staff in Paris

After seven concerts, it's pretty clear that folks in Europe are pretty fond of Gustavo Dudamel. Whether it's the Discover Dudamel rehearsal at the Barbican Centre in London; a photo op for dozens of young musicians in front of the KKL in Lucerne; or the enthusiastic responses to the LA Phil performances at the Salle Pleyel in Paris (and the other two places, frankly), the response has been overwhelmingly positive.

Maybe it's the passion that Gustavo clearly has for the music being reflected back to him by appreciative audiences. Maybe it's the daring repertoire of 20th and 21st century works he and the orchestras bring to European halls. Maybe it's everything - whatever it is, audiences have been pretty receptive to Gustavo and to the LA Phil.

And for that, we thank those in Europe that have come out to see the LA Phil perform. Such appreciation makes touring overseas totally worth it.

New York, here we come!

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