AUDRA MCDONALD is unparalleled in the breadth and versatility of her artistry as both singer and actress. With a record-tying five Tony Awards®, two Grammy Awards®, and a long list of other accolades to her name, she is among today’s most highly regarded performers. Blessed with a luminous soprano and an incomparable gift for dramatic truth-telling, she is equally at home on Broadway and opera stages as in roles on film and television. In addition to her theatrical work, she maintains a major career as a concert and recording artist, regularly appearing on the great stages of the world.
Born into a musical family, McDonald grew up in Fresno, California and received her classical vocal training at the Juilliard School. A year after graduating, she won her first Tony Award for Best Performance by a Featured Actress in a Musical for Carousel at Lincoln Center Theater, directed by Nicholas Hytner. She received two additional Tony Awards in the featured actress category over the next four years for her performances in the Broadway premieres of Terrence McNally’s Master Class (1996) and Ahrens & Flaherty’s Ragtime (1998), earning her an unprecedented three Tony Awards before the age of 30. In 2004 she won her fourth Tony, starring alongside Sean “Diddy” Combs in A Raisin in the Sun, and in 2012 she won her fifth—and her first in the leading actress category—for her role in The Gershwins’ Porgy and Bess, placing her in the illustrious company of Broadway legends Julie Harris and Angela Lansbury as the only people in Tony history to win five performance awards. McDonald’s other theater credits include The Secret Garden (1993), Marie Christine (1999; Tony nomination), Henry IV (2004), 110 in the Shade (2007; Tony nomination), and her Public Theater “Shakespeare in the Park” debut in Twelfth Night alongside Anne Hathaway (2009).
After Summer 2013 appearances at the Festival del Sole, the Caramoor Festival, and with John Williams and the Boston Symphony at Tanglewood, Audra McDonald opens the 2013/2014 season of the San Francisco Symphony under the baton of Michael Tilson Thomas. She then embarks upon a twenty-two-city concert tour, including appearances in Los Angeles, Chicago, Washington DC, Toronto, Las Vegas, Arizona, Utah, Michigan, Illinois, Indiana, Missouri, Texas, Arkansas, Kentucky, and New Jersey.
McDonald made her opera debut in 2006 at Houston Grand Opera, where she starred in a double-bill of Poulenc’s monodrama La voix humaine and the world premiere of its companion piece, Send, written by one of McDonald’s frequent collaborators, Michael John LaChiusa. She made her Los Angeles Opera debut in 2007 starring alongside Patti LuPone in John Doyle’s production of Kurt Weill’s Rise and Fall of the City of Mahagonny. The resulting recording won McDonald two Grammy Awards: for Best Opera Recording and Best Classical Album.
On the concert stage, McDonald has premiered music by Pulitzer Prize-winning composer John Adams and sung with virtually every major American orchestra – including the Boston Symphony, Chicago Symphony, Cleveland Orchestra, Los Angeles Philharmonic, National Symphony, New York Philharmonic, Philadelphia Orchestra, and San Francisco Symphony – and under such conductors as Sir Simon Rattle, Esa-Pekka Salonen, and Leonard Slatkin. She made her Carnegie Hall debut in 1998 with the San Francisco Symphony under the baton of Michael Tilson Thomas in a season-opening concert that was broadcast live on PBS. Internationally, she returns to the BBC Proms in London (where she was only the second American in more than 100 years invited to appear as a guest soloist at the Last Night of the Proms) and at the Théatre du Chatelet in Paris, as well as to the London Symphony Orchestra and Berlin Philharmonic.
It was the Peabody Award-winning CBS program Having Our Say: The Delany Sisters’ First 100 Years that first introduced McDonald to television audiences as a dramatic actress. She went on to co-star with Kathy Bates and Victor Garber in the lauded 1999 Disney/ABC television remake of Annie, and in 2000 she had a recurring role on NBC’s hit series Law and Order: Special Victims Unit. After receiving her first Emmy nomination for her performance in the HBO film version of the Pulitzer Prize-winning play Wit, directed by Mike Nichols and starring Emma Thompson, McDonald returned to network television in 2003 in the political drama Mister Sterling, produced by Emmy Award-winner Lawrence O'Donnell, Jr. (The West Wing) and starring Josh Brolin. In early 2006 she joined the cast of the WB’s The Bedford Diaries, and over the next season she had a recurring role on NBC’s television series Kidnapped. In 2008 she reprised her Tony-winning role in A Raisin in the Sun in a made-for-television movie adaption, earning her a second Emmy Award nomination. From 2007 to 2011, she played Dr. Naomi Bennett on the hit ABC medical drama, Private Practice.
A familiar face on PBS, McDonald is the series host of Live from Lincoln Center, which televised her recent solo concert for Lincoln Center’s Spring Gala. She has headlined telecasts including an American Songbook season-opening concert, a presentation of Sondheim’s Passion, a tribute concert to Rodgers and Hammerstein titled Something Wonderful, and three galas with the New York Philharmonic: a New Year Eve’s performance in 2006, a concert celebrating Stephen Sondheim’s 80th birthday, and Carnegie Hall’s 120th Anniversary Concert. She was also featured in the PBS television special “A Broadway Celebration: In Performance at the White House,” singing at the request of President Barack Obama and First Lady Michelle Obama. McDonald has appeared three times on the Kennedy Center Honors, been profiled by 60 Minutes and the Today Show, been a guest on the Megan Mullally Show, the Rosie O’Donnell Show, Tavis Smiley, The Wendy Williams, and The Colbert Report, and has guest co-hosted on The View with Barbara Walters.
McDonald’s film career began with her role in Seven Servants in 1996, and her list of credits has since grown to include The Object of My Affection (1998), Cradle Will Rock (1999), It Runs in the Family (2003), The Best Thief in the World (2004), and She Got Problems (2009), a mockumentary movie musical written, starring, and directed by her sister, Alison McDonald. Most recently, Audra McDonald appeared in the 2012 release Rampart, starring Woody Harrelson and now available on DVD.
As an exclusive Nonesuch recording artist, McDonald has released five solo albums on the label, interpreting songs from the classic (Gershwin, Arlen, and Bernstein) to the contemporary (Michael John LaChiusa, Adam Guettel, and Ricky Ian Gordon). The New York Times dubbed her first Nonesuch album, 1998’s Way Back to Paradise, as Adult Record of the Year. Following the best-selling How Glory Goes in 2000 and Happy Songs in 2002, she released the 2006 album Build a Bridge, which saw the singer stretch her repertoire to include songs by the likes of Randy Newman, Elvis Costello/Burt Bacharach, Rufus Wainwright, and Nellie McKay. Her newest album, Go Back Home, released in May 2013, is her most personal recording to date, featuring songs by Sondheim, Guettel, Kander & Ebb, and introducing a new generation of songwriters including Adam Gwon and Goldrich & Heisler. McDonald’s ensemble recordings include the acclaimed EMI version of Bernstein’s Wonderful Town conducted by Sir Simon Rattle, the New York Philharmonic release of Sondheim’s Sweeney Todd, and Dreamgirls in concert, as well as the first recording of Rodgers and Hammerstein’s Allegro and Broadway cast albums of Carousel, Ragtime, Marie Christine, 110 in the Shade, and The Gershwins’ Porgy and Bess. She is also featured on a number of audiovisual recordings available on DVD and Blu-ray, including Sondheim! The Birthday Concert, Christmas with the Mormon Tabernacle Choir and Orchestra at Temple Square, Weill – Rise and Fall of the City of Mahagonny, Bernstein – Wonderful Town, Audra McDonald – Live at the Donmar, London, and My Favorite Broadway: The Leading Ladies.
McDonald’s other accolades include four Drama Desk Awards, three Outer Critics Circle Awards, four NAACP Image Awards nominations, an Ovation Award, a Theatre World Award, and the Drama League’s 2000 Distinguished Achievement in Musical Theatre and 2012 Distinguished Performance Award. In addition to her five Tony Awards, she received nominations for her performances in Marie Christine and 110 in the Shade.