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Piece Title |
Composer |
Listen |
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Invierno Porteño from Las cuatro estaciones porteñas |
Astor Piazzolla |
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Invisible Light from "Atlas" |
Meredith Monk |
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Invisible Overture |
Christopher Cerrone |
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Invitation to the Dance |
Weber (arr. Berlioz) |
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Invocation |
Ben Johnston |
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Isle of the Dead |
Sergei Rachmaninoff |
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Isoldens Liebestod: Schlufszene aus Tristan und Isolde, transcription for piano (after Wagner) |
Franz Liszt |
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It Ain't Necessarily So |
Gershwin, arr. Heifetz |
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It Don’t Mean a Thing |
Duke Ellington (arr. John Clayton) |
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It Got Dark (LAPA commission; world premiere) |
Thomas Newman |
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It Might as Well Be Spring, from "State Fair" |
Rodgers and Hammerstein |
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Italian Concerto, BWV 971 |
Johann Sebastian Bach |
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Italian Serenade |
Hugo Wolf |
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Italian Street Song (from "Naughty Marietta") |
Victor Herbert |
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It’s a Grand Night for Singing, from "State Fair" |
Richard Rodgers |
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It’s Not Where You Start It’s Where You Finish, from "Seesaw" |
Coleman/Fields |
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IV. Allegro, from Concerto Grosso in G, Op. 6, No. 1 |
George Frideric Handel |
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IV. Gigue, from Trio Sonata in C, BWV 1037 |
Goldberg |
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I’m Beginning to See the Light |
James/Ellington/Hodges/George |
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I’m in Love with a Wonderful Guy, from "South Pacific" |
Rodgers and Hammerstein |
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