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Part of SU1 Sunday 1
About This Performance
Our Brooklyn Festival goes old-school with Copland’s Organ Symphony, which he wrote for his teacher Nadia Boulanger to play with the Boston Symphony under Koussevitzky. “You hear rhythms that would not have been there if I had not been born and raised in Brooklyn,” the composer wrote about its proto-jazzy Scherzo.
The world premiere of a new piece by Ted Hearne, a dynamic young composer as comfortable in operatic and orchestral works as in rock and choral music.
The moody, haunted overture that Christopher Cerrone originally wrote for his 2008 opera Invisible Cities, now an independent orchestral piece.
Programs, artists, dates, prices and availability subject to change.
Upbeat Live: pre-concert talks
- Thursday, April 18, 2013 - 7:00pm
- Saturday, April 20, 2013 - 7:00pm
- Sunday, April 21, 2013 - 1:00pm
Kimberlea Daggy interviewed Cameron Carpenter, organ, for the first 15 minutes, followed by composers Chris Cerrone, Ted Hearne and Hannah Lash.
This program is supported in part of a grant from The Andrew W. Mellon Foundation
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