About this Artist
Bass-baritone Eric Owens has a unique reputation as an esteemed interpreter of classic works and a champion of new music. Equally at home in orchestral, recital, and operatic repertoire, Mr. Owens brings his powerful poise, expansive voice, and instinctive acting faculties to stages around the world.
In the 2021-2022 season, Mr. Owens returns to the Metropolitan Opera as both Philippe II in Sir David McVicar’s new production of Don Carlos, conducted by Yannick Nézet-Séguin, and Porgy in James Robinson’s Grammy Award-winning production of Porgy and Bess, conducted by David Robertson. He also returns to Santa Fe Opera as King Marke in Tristan und Isolde. On the concert stage, he joins the Philadelphia Orchestra for performances of Beethoven’s Missa Solemnis, also conducted by Nézet-Séguin, both in Philadelphia’s Verizon Hall and on tour at Carnegie Hall. Additionally, he sings Vodnik in concert performances of Rusalka with the NDR Elbphilharmonie Orchestra, led by Alan Gilbert.
Mr. Owens’s career operatic highlights include both Alberich and Hagen in the Metropolitan Opera’s Ring cycle directed by Robert Lepage; Wotan and the Wanderer in Lyric Opera of Chicago’s Ring cycle directed by Sir David Pountney; Orest in Patrice Chereau’s production of Elektra conducted by Esa-Pekka Salonen at the Met; the title role of Der Fliegende Höllander and Stephen Kumalo in Weill’s Lost in the Stairs at Washington National Opera; his San Francisco Opera debut in Otello conducted by Donald Runnicles; his Royal Opera, Covent Garden, debut in Norma; Vodnik and Porgy at Lyric Opera of Chicago; the title role in Handel’s Hercules with the Canadian Opera Company; Ramfis in Aida at Houston Grand Opera; Die Zauberflöte for his Paris Opera (Bastille) debut; and the title role of Macbeth at the Glimmerglass Festival.
Mr. Owens has been recognized with multiple honors, including the Musical America’s 2017 “Vocalist of the Year” award, 2003 Marian Anderson Award, a 1999 ARIA award, second prize in the Plácido Domingo Operalia Competition, the Metropolitan Opera National Council Auditions, and the Luciano Pavarotti International Voice Competition. He serves on the Board of Trustees of both the National Foundation for Advancement in the Arts and Astral Artistic Services.