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For three decades, in artworks and writing David Robbins has promoted a frank, unapologetic recognition of the contemporary overlap between the art and entertainment contexts. His work Talent (1986) is widely credited with announcing the age of the celebrity artist, and The Ice Cream Social (1993 - 2008), a multi-platform project which included a TV pilot for the Sundance Channel, a novella, installations, ceramics, and performance has been cited by Hans Ulrich Obrist as pioneering the “expanded exhibition.” Progressively evolving away from the prevailing model of the professional contemporary artist, in his books High Entertainment (2009) and Concrete Comedy: An Alternative History of Twentieth-Century Comedy (2011) he has identified and advanced “alternatives to art.” Among his six books are The Velvet Grind: Selected Essays, Interview, Satires 1983 -2005 (2006) and The Camera Believes Everything (1988). He lives in Milwaukee.