Raised in the Bay Area and trained at the Manhattan School of Music, Elena developed a luminous style on both flute and voice that invites listeners into a world where virtuosity meets storytelling, and honesty shapes every note. She is redefining the expressive range of the flute in contemporary music, weaving it through jazz, R&B, hip-hop, and orchestral soundscapes to create a language that is entirely her own.

Elena has appeared at premier stages worldwide — Carnegie Hall, the Kennedy Center, the White House, Coachella, Monterey, Montreux, Newport, and the North Sea Jazz Festival — bringing an intimate, modern energy to every performance.

A sought-after collaborator, Elena has recorded and toured with artists across genres, including Herbie Hancock, Chief Adjuah (FKA Christian Scott), Robert Glasper, Esperanza Spalding, Terrace Martin, Common, Lupe Fiasco, Kenny Barron, Vijay Iyer, Terri Lyne Carrington, Ambrose Akinmusire, and Future. Her playing also shines on projects by Victoria Monét, Cynthia Erivo, Giveon, Jordan Ward, and many more.

Beyond the bandstand, Elena’s artistry extends to film and television. As a part of Laura Karpman’s film composing studio, she contributed to the Academy Award–nominated score for American Fiction and the score for HBO’s Duster, among others. These projects reflect her gift for bridging intimate improvisation and widescreen storytelling.

Elena’s discography spans genre-defining work — from Christian Scott’s Stretch Music and Diaspora to Terrace Martin’s Impedance and Nintendo Soul, Common’s Black America Again, and Ambrose Akinmusire’s The Imagined Savior Is Far Easier to Paint. Now preparing a series of ambitious solo releases, Elena is poised to unveil a body of work that brings her flute and voice into seamless dialogue — music rooted in the jazz tradition yet alive with contemporary soul and innovation.