Tristan Perich's (New York) work is inspired by the aesthetic simplicity of math, physics and code. The WIRE Magazine describes his compositions as "an austere meeting of electronic and organic." 1-Bit Music, his 2004 release on Cantaloupe Music, was the first album ever released as a microchip, programmed to synthesize his electronic composition live. His follow-up release, 1-Bit Symphony, was called "sublime" (New York Press), and the Wall Street Journal said "its oscillations have an intense, hypnotic force and a surprising emotional depth." More recently, Drift Multiply (Nonesuch, New Amsterdam), for 50 violins and 50 speakers, was described by the New York Times as "a constantly evolving landscape where sounds coalesce and prism, where the violins both pull into focus and blur into a soothing ether." His work coupling 1-bit electronics with traditional forms in both music and visual art has been presented around the world, from Sonar and Ars Electronica to the Museum of Modern Art and bitforms gallery.