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Andriessen used bits of old music, an allusion to the Dies Irae motif and some Minimalism, a jazz riff here and a Mexican brass allusion there, as he often has. But he always remakes it into a complex and powerfully blatant new thing, and here edge-of-your-seat operatically so.

Los Angeles Times

Track Listing

1. Introduction
2. The only one
3. The early bird
4. Interlude 1
5. Broken morning
6. Interlude 2
7. Twist and shame
8. Grown up

8 Songs, 21 minutes

Commissioned by the LA Phil with generous support from the MaddocksBrown Fund for New Music as part of its centennial celebrations. Additional commissioners include NTR ZaterdagMatinee and BBC Radio 3.

About the Composer: 

Louis Andriessen, according to London’s Guardian newspaper is “not only the leading Dutch composer of our time, but one of the most important figures in European music in the last half century, whose influence has spread far beyond that of his own works.” His music has explored politics, time, velocity, matter, and mortality in five works for large ensemble: De Staat (Nonesuch, 1991), De Tijd (Nonesuch, 1993), De SnelheidDe Materie (Nonesuch, 1996), and Trilogy of the Last Day. His stage works include the Theatre of the World (Nonesuch, 2017  – also an LA Phil commission), La Commedia (Nonesuch, 2014), Writing to Vermeer (Nonesuch, 2006), and Rosa: The Death of a Composer (Nonesuch, 2000), as well as the monodrama Anaïs Nin. Nonesuch also released an album with his De Stijl and M is for Man, Music, Mozart in 1994. Andriessen’s recent awards include the Marie-Josée Kravis Prize for New Music, the Caecilia Prize, and the Grawemeyer Award.

<em>The only one</em> - Trailer
Watch & Listen

The only one - Trailer

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