About this Artist
American bass-baritone Ryan McKinny has been praised for his “elegant and articulate” vocalism (OC Register), as well as a powerful voice that “drips with gold” (Opera News).
In the 2018/19 season, Ryan McKinny makes two important role debuts: the title role in Don Giovanni at Houston Grand Opera and Wotan in Das Rheingold at Opéra de Montréal. He returns to the Dutch National Opera for the European premiere of John Adams’ Girls of the Golden West in a production by Peter Sellars, the same role in which he made his San Francisco Opera debut last season. He will also sing Leonard Bernstein’s SongFest with Marin Alsop and the Juilliard Orchestra at Carnegie Hall, the title role in Der fliegende Holländer with Edo de Waart and the Milwaukee Symphony, and Mahler’s Symphony No. 8 with Gustavo Dudamel and the Los Angeles Philharmonic. He returns to the Bayreuth Festival in the summer of 2019 to reprise his acclaimed performances of Amfortas in Parsifal.
McKinny has been seen at the Metropolitan Opera (Biterolf in Tannhäuser, Sprecher in Die Zauberflöte, Kothner in Die Meistersinger von Nürnberg, and Lieutenant Ratcliffe in Billy Budd for his debut); Bayreuth Festival (Amfortas in Parsifal); Dutch National Opera (debut in Pierre Audi’s production of Parsifal); LA Opera (Count Almaviva in Le nozze di Figaro, Stanley Kowalski in Previn’s A Streetcar Named Desire, Leone in Handel’s Tamerlano, and Don Basilio in Il barbiere di Siviglia); Santa Fe Opera (Oppenheimer in Doctor Atomic and Jochanaan in Salome); Washington National Opera (Donner and Gunther in Der Ring des Nibelungen, and Figaro); English National Opera (Tiridate in David Alden’s production of Radamisto); Semperoper Dresden (Escamillo in Carmen); Hamburg State Opera (Carmen and Der fliegende Holländer); Deutsche Oper Berlin (Tristan und Isolde, Hänsel und Gretel, Carmen, Don Carlo, Lucia di Lammermoor, and Verdi’s Messa da requiem); Teatro Colón (Parsifal); Canadian Opera Company (Melot in Peter Sellars’s production of Tristan und Isolde); and the Glimmerglass Festival (his role debut in Der fliegende Holländer and Billy Bigelow in Carousel). An alumnus of the Houston Grand Opera Studio, McKinny has performed a number of roles on the mainstage, including Gunther in Götterdämmerung, Kurwenal in Tristan und Isolde, the title role in Rigoletto, and Figaro in Le nozze di Figaro.
On the concert stage, McKinny sang the world premiere of Shostakovich’s uncompleted opera Orango under Esa-Pekka Salonen and the Los Angeles Philharmonic with stage direction by Peter Sellars, which was reprised in London with the London Philharmonia (and recorded by Deutsche Grammophon). He also performed Richard Nixon in John Adams’ Nixon in China with the Los Angeles Philharmonic conducted by the composer. With Michael Tilson Thomas and the San Francisco Symphony, he performed Arias and Barcarolles with Isabel Leonard, as well as Mass with the Los Angeles Philharmonic under Gustavo Dudamel, both to celebrate the 100th birthday of Leonard Bernstein. He has performed the bass-baritone roles in Oedipus Rex for his debut with the Chicago Symphony Orchestra under Michael Tilson Thomas and the Los Angeles Philharmonic under Esa-Pekka Salonen in his final concerts as music director with staging by Peter Sellars.