About this Performance
Underneath the sense of hope and expansiveness in the New World is a shadow that has been there from its first colonization to the present moment. Dvořák set out to find and compose “American music.” What he created is a collage, suggestions of the hope of immigrants in the boundless space; the presence of slavery; the treatment of Native Americans; and the pristine beauty of the natural resources. Even more poignant today, we hear this music with all its shadows fully in the light.
Join Deborah O’Grady and Melinda Haas for this unique exploration of Dvořák's signature work, Symphony No. 9, “New World,” through the lens of myth as part of the Los Angeles Philharmonic's Dvořák & Ives festival.
RSVPs will be made available via the Jung Institute website in January.
Programs, artists, dates, prices and availability subject to change.
FEB 20 – MAR 3 • 4 PROGRAMS, 2 EVENTS
Dudamel Explores Dvořák & Ives
On paper, Antonín Dvorák and Charles Ives couldn’t be more different. An immigrant with perspective on the melting pot and a radical homegrown maverick – each represents a part of the larger American story, and both composers drew on that experience in trying to define what makes American music American. Experience all four symphonies by Ives, in league with Dvořák’s masterful final three symphonies in this 2019/20 festival led by Dudamel with the Los Angeles Philharmonic.